Inscribed texts carry more than decorative or commemorative value; they are surfaces where script, relief, and material converge to transmit language across time. Photographing such works is, first and foremost, an act of documentation rather than aesthetic capture: legibility of the script, accurate rendering of carving depth or brushwork, and faithful line proportions are prerequisites for any scholarly transcription, linguistic analysis, or academic publication. This category of photography presents distinct technical demands—raking light to reveal letterforms and relief without introducing misleading shadows, control of glare on polished, metallic, or glazed surfaces, accurate color rendering of the inscription’s ground material, and precise capture of wear, cracking, or patina layers without conflating these with the text itself. The resulting image must serve two functions simultaneously: a reliable document for reading, dating, or linguistic study, and a visual record of the object’s material condition at the time of capture. Adherence to conservation constraints, non-invasive lighting techniques, and careful control of angle and intensity are essential to producing images suitable for archival use, scholarly publication, or museum presentation. This gallery represents one segment of a broader documentation effort across a collection of inscribed texts, undertaken for their preservation, study, and accurate reproduction.